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Reeling after her latest novel flops, best-selling crime writer Robin Richards (Andréa Winter) is sent by her publisher to the Swedish countryside to regain inspiration. There alone, she indeed comes across an assortment of peculiar characters, including her driver and most obsessive fan, his explosively jealous wife, and the progressively more unhinged man who owns the farm that’s hosting her. Totally out of place in her new surroundings—for one, she is always dressed for glamorous, big-city life—Robin discovers just how dangerous these oddballs may be. The unpredictable debut feature by Patrick von Barkenberg (who also appears as Robin’s boyfriend) is bathed in dreamy atmospherics and streaked with offbeat humor, but remains grounded throughout by Winter, who holds your attention rapt.
Blood Child is horror thriller based on a true story. Bill and Ashely DiAngelo seem to have it all, an overseas posting to Singapore, life in paradise and a new baby on the way. But tragedy strikes when she loses the baby and sinks into a deep depression. Unbeknownst to Bill, Ashley decides that the only way for her to “be” with her miscarried child is to dabble in the South East Asian occult practice of raising her own “ghost child”. She seeks the help of her Indonesian maid, Siti, tasking her to find a bomoh (witch doctor) who knows how to trap the spirit of unborn dead fetuses. Siti tries to dissuade Ashley from resorting to such dark magic but to no avail. In the meantime, in an effort to put the tragic events of the miscarriage behind them, Bill decides that it would be good for the couple to return home to Minnesota to start their lives over. Several months after their return to the US, Ashley and Bill are surprised to find themselves pregnant again….
When his brother is killed, LAPD officer Mark leaves the city to return to the island he grew up on. Seeking answers and ultimately vengeance, he soon finds himself in a bloody battle with the corrupt tycoon who’s taken over the island paradise.
